Interior Design services

We collaborate with designers and architects to create unique interiors
conveying culture, identity and purpose.

Jewellery & Home Décor

Some of our favorite projects

Samburu artisans gathered around a table outdoors under a large acacia tree, engaged in conversation and crafting new jewelry designs.

Jewellery Co-creation

Kenya


The making of The Unity Collection in Kenya, co-created with designer and ethical production consultant Sara Collins.

Collaboration with Cobicos Sunny Day SPF 15 sunscreen and Samburu women artisans on a beaded bracelet.

Beauty Brand Product Collaboration

Kenya


A two-year collaboration with natural beauty brand Cobicos, pairing its sunscreen with handmade beaded bracelets by Samburu makers in Northern Kenya.

A textured off-white paper pulp vase with two side handles and a bulbous middle section, holding a decorative branch, set on a terracotta-colored table against a warm brown wall.

Objects for Corporate Interiors

Eswatini


Upcycled paper-pulp objects from Eswatini, selected to complement a newly designed corporate interior in Germany.

A Ghanaian artisan crafts a subtle wax jewelry pendant with his hands. The table is covered with wax cords, blue and purple beads, and other jewelry-making materials.

Heritage for Museum Shops

Ghana


A lost-wax brass jewellery collection rooted in the centuries-old metalworking tradition of the Ashanti Kingdom, created for a museum shop.

How we make it happen:

From Sketch to Object

A hand-drawn black ink sketch on graph paper showing two views of a turtle with handwritten notes about size (5-6 cm or 2.5 inches) and whether it is 3D or flat.

Phase 1: Sketching the idea

It can start with something as simple as a sketch and a few references. From there, we find the right makers, materials and techniques to bring the idea to life.

A rustic wooden table displays various handmade carvings and jewelry, including a carved turtle, small yellow stone rings, blue and purple beaded strands, and carved rectangular pieces, with parts of people's legs and feet visible around the table.

Phase 2: Prototyping

In Kumasi, master craftspeople use the ancient lost-wax technique to cast brass. Together, we begin translating the drawing into something that can be held.

Tailor working at a table, adjusting a dark denim garment with a gold clasp.

Phase 3: Sampling

An idea changes as it becomes an object. In Accra, the first prototype was made in denim before moving to indigo fabric from Northern Ghana. Some details stayed; others, like the beautiful but too-heavy brass clasps, did not.

Several rough, handcrafted clay pots with wide flared rims sit on sandy, gravelly ground. Metal tongs holding glowing orange and green molten material are positioned above the pots, suggesting a pottery-making or kiln scene.

Phase 4: Production start

Once every detail feels right, production begins. What started as a sketch now carries the work, knowledge and hands of many people.

Let us collaborate! Contact us here: