Collaborations

We collaborate with designers, brands and Museum shops across Europe
to create bespoke pieces with impact and a unique signature for their projects.

Some of our favorite projects

Samburu artisans gathered around a table outdoors under a large acacia tree, engaged in conversation and crafting new jewelry designs.

Co-creating Jewellery

#Kenya
Making of 'The Unity Collection' in Kenya with Designer and Ethical Production Consultant Sara Collins.

Collaboration with Cobicos Sunny Day SPF 15 sunscreen and Samburu women artisans on a beaded bracelet.

Cosmetics collab x Women

#Kenya
With the natural Beauty brand Cobicos, we created a 2-year collaboration adding handmade beaded bracelets to their sunscreen. Made by Samburu artisans in Northern Kenya.

A textured off-white paper pulp vase with two side handles and a bulbous middle section, holding a decorative branch, set on a terracotta-colored table against a warm brown wall.

Matching Corporate Spaces

#Eswatini
We fully staged a corporate office in Germany with upcycled paper pulp objects from Eswatini that matched their newly designed interiors in collab with their Interior Architects.

A Ghanaian artisan  crafts a subtle wax jewelry pendant with his hands. The table is covered with wax cords, blue and purple beads, and other jewelry-making materials.

Heritage Crafts x Museum shop

#Ghana
The lost wax collection was developed for a Museum shop keen to sell unique pieces of brass jewelry for which the ancient Ashanti Kingdom is renowned for.

A simple process

A hand-drawn black ink sketch on graph paper showing two views of a turtle with handwritten notes about size (5-6 cm or 2.5 inches) and whether it is 3D or flat.

Phase 1: Sketching the idea

It starts with simple means: an idea, a sketch and some design references.

Then we contact our network to find the artisan or the collective who has the skills and we ensure supervision and logistics in the country and make you an offer.

A rustic wooden table displays various handmade carvings and jewelry, including a carved turtle, small yellow stone rings, blue and purple beaded strands, and carved rectangular pieces, with parts of people's legs and feet visible around the table.

Phase 2: Prototyping

There are master craftsmen who still work with the lost wax technique in Kumasi, the ancient capital of the Ashanti Kingdom.

We worked with two of them to realize the brass elements of the accessories collection.

Tailor working at a table, adjusting a dark denim garment with a gold clasp.

Phase 3: Sampling

A talented tailor in Accra made a prototype out of denim before producing the final indigo fabric in a village in Northern Ghana.

We eventually dropped this element because the brass clasps were too heavy.

Several rough, handcrafted clay pots with wide flared rims sit on sandy, gravelly ground. Metal tongs holding glowing orange and green molten material are positioned above the pots, suggesting a pottery-making or kiln scene.

Phase 4: Production start

After the prototype is approved and the parameters for the final production are set - it can start.

See the final result below.

Let us collaborate! Contact us here: